Text Box:  Volume XXVI N1                             IKKF Newsletter                                  Spring 2009 #
The IKKF Newletter is published biannually by the Board of Regents, and distributed to members of the IKKF and of the KOJOSHO SHINKOKAI.  

Editor :  Gary Vaughn
Opinions expressed here-in are those of the authors.  

The IKKF Newsletter is printed by the professionals at PRINTERíS PRESS in Albuquerque, NM, USA

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© 2009 by the IKKF
This is the 26th consecutive year of publication of the IKKF Newsletter.     If you would like to have your article, book or movie review, or personal experience regarding the IKKF, the Kojosho Shinkokai, or any other traditional Martial Art considered for publication please send a copy of your manuscript to the Newsletter Editor at the address below.
     You may contact any IKKF affiliated school or individual in any country through the IKKF World Headquarters.  Enclose your correspondence to the school or individual you wish to contact in an envelope addressed to:
(name of School or Individual); C/O IKKF Headquarters; PO BOX 688; TIJERAS,  NM  USA  87059   THE INTERNATIONAL KOJOSHO KARATE FEDERATION in on the World Wide WEB at http://www.kojosho.comKOJOSHO  -  The Philosophy of a Kempo Karate System  by Soon Fook-Leong.  The first Kojosho edition of this Kojosho System book was published in 1982.  It has been reprinted several times since then.  The latest revised edition is now available which reflects newly discovered historical information as well as documents the heritage katas Hakutsuru, Hako, and Hakuryu.  To order send a check or money order for $20.00 US to:                                     IKKF  PO Box 688  Tijeras, NM  USA   87059

THE IKKF BOARD OF REGENTS

TRADITIONAL KARATE

 

Webster defines a tradition as something that is handed down from generation to generation. The definition doesn't require that this transmission must be absolutely unchanged or that nothing should ever be added or taken away, however the consensus is that if something is ìtraditionalî, then what is being handed down is a long-established custom or practice ìthat has the effect of an unwritten law. Traditional teachings are expected to conform to tradition.

The possibility for change is ever present, especially in Karate. When we compare early Okinawa Karate to the art not only as currently practiced in Japan but worldwide, the differences are obvious. Just a glance at contemporary Karate in the U.S.A. is proof that even in traditional schools change is inevitable - though not necessarily always desirable.

What has been consistent in traditional Karate/Kempo schools is the placement of personal development, discipline and fitness before self-defense. Respect and courtesy are forever emphasized. The workout area is typically simple and clean, an air of seriousness and purpose prevail, the practice uniform is always clean and free of unnecessary decoration, and bright or outlandish colors are avoided. The traditional method of teacher demonstrating and students copying continues to be the vehicle by which old information is transferred to new students.

Of course, all of the above are mere words unless the teachers and the students strive to be better members of society, and always use their self-defense skills for honorable purposes.

Today's traditional Karate/Kempo school has seen many changes since its humble beginnings as a place to study the art of self defense in Okinawa. There has been the divergent path and subsequent growth of classical Japanese Karate Do into a sport / art. There has been the emergence of Korean Karate and the birth of Tae Kwon Do as a national sport of Korea. There has been the Hawaii experience and the birth of Kenpo and ultimately the birth of American Karate. However, much of our tradition remains the same. Perhaps we should try to concentrate on the similarities instead of the differences.

F. Absher

Art Minser Monkey

Richard Levin Leopard

Larry Bennett Dragon (d)

Gary Vaughn Deer

Toby Gordon Tiger

Terry Gearey Bear

Dona Absher Crane/Lake

Jack Diehl Deer/Heaven

Steve Goldsmith Monkey/Fire

Peter Renna Deer/Mountain

 

 

Shane Absher

Benny Bird

Howard Cothern

Linda Dominguez

Mike Grijalva

David Higgins

Joseph Paranto

Mike Pierson

Al Reed

Rudy Rivera (d)

Charles Sheldon

Ron Striegel

Victor Velarde

Marian Macy Zajac

Frank Zajac